Showing posts with label Tracks. Show all posts
Showing posts with label Tracks. Show all posts

Sunday, February 10, 2013

Tracks: #TheReturn



The second of two parts on the music of Fall Out Boy and the much-awaited return.

After 2009, the punk-rock/ pop-rock phenomenon that was Fall Out Boy slowly receded into the background, with no trace at all and no indication of an immanent return. A few months after, each one of them had their own solo projects quite apart and different from the project that was Fall Out Boy. Joe Trohman and Andy Hurley joined some of the guys from Anthrax to form a new band called The Damned Things. Patrick Stump, on the other hand, put a lot of effort to trim his body down and craft a new music and therefore a new image, starting by releasing a solo track with Lupe Fiasco, eventually coming up with a new album called Soul Punk. Pete Wentz, at that time married to Ashlee Simpson with a son they peculiarly named Bronx Mowgli, formed electro-pop band The Black Cards.

With all of these lined up to emerge as distinct figures that are extracted from Fall Out Boy without a single trace of it, it seems that there would be no chance of returning. And for most, it seems to be the most bitter ending for the band that has mostly been the part of the life of a teenager of the early 21st century. For them to end like that would be tragic, unfortunate even, to the point that there was no even farewell show or "one last reunion" for them to formally say goodbye to their fans. This has been the general sentiment of those who have stuck it to Fall Out Boy, who at one point have already moved on with their lives.

Well, this was the case... until the news struck the Internet no less than a week ago.

There were those who already had an idea that the four-piece pop-punk/pop-rock band would return, but it was made final when they posted new material over falloutboyrock.com. First, this was what they said:
when we were kids the only thing that got us through most days was music. its why we started fall out boy in the first place. this isn't a reunion because we never broke up. we needed to plug back in and make some music that matters to us.
the future of fall out boy starts now.
save rock and roll...
Second, together with such announcement is a new music video entitled "My Songs Know What You Did In The Dark (Light 'Em Up)." The video features a group of people (led by rapper 2Chainz) starting a fire and burning everything which reminds us of Fall Out Boy past, and it ended by featuring four people, presumably Fall Out Boy, tied up with their heads covered. What was portrayed in the video was exactly the same thing the band signaled its return in a bonfire at Comiskey Park, announcing to everyone that they are indeed back and are working on an album to be entitled "Save Rock and Roll."


Many speculations again arose in the release of the video, inquiring whether there is anything symbolic at all from the video itself, or to the particular version of the song that the band uploaded in the Fall Out Boy YouTube channel, or even the presence of 2Chainz and what could be expected on "Save Rock and Roll." But amidst all this, one thing is clear: Fall Out Boy is already back on track.

But perhaps the more relevant question would be: Why? It would only be a few months, years perhaps, before their individual projects could have a claim to fame. Stump's Soul Punk went out pretty decently, while The Black Cards have been working on remixing songs after the departure of their female vocalist Bebe Rexha. What could have possibly gone wrong (or right) that Fall Out Boy decided that it's about damn time that they get themselves together. One could perhaps attribute it to Wentz's divorce with Ashlee Simpson, or Stump's failure to "return" to music after "quitting" as a response to all his bodybuilding habits and its relationship with the kind of music he makes. Or perhaps to the failure of all their solo projects, leaving it necessary to rebuild. Or anything that could have happened with all of them. Then again, one thing is important now: they're all set to release their album come May, and for those who have anything to say for or against them have to wait a few more months before they pass their judgment.



While the world waits, it can only think about this whole decade-long run of the band and realize that there are only two things that stay the same with Pete, Patrick, Joe, and Andy: the incredibly long song titles and the ability to surprise the world with their own ways of twisting their own style, most of the time drastic and even productive. Looking back at it, one can definitely say that this capacity to insert surprising elements into their music is what keeps Fall Out Boy alive and kicking after more than ten years, as the dynamic combination of its four members have always brought something new to the industry more than their usual selves. What they have made for themselves, especially the music more than anything, exceeded expectations, and the results as well as the reception of all their efforts have been nothing but phenomenal, but in such a way that they would never be forgotten. And perhaps it is because of that element of surprise that despite this long, long break, the world still welcomes and embraces Fall Out Boy.



Their return, however, would come clashing not just with the pressure of getting back on track as they were before but also with the situation of the music scene. A few years ago, one of Fall Out Boy's friends and one of the most beloved icons in the punk rock scene, Blink 182, returned, and they did not disappoint with the music that they have come up with, being a perfect mix between the old Blink and their own individual projects, namely Angels & Airwaves and +44. And maybe this could be the same thing that could happen with Fall Out Boy. They have burned the past, yes, but what they were would always be part of who they are, it's just that there could be some sprinkles and scoops of what they have been doing for the past few years in their hiatus. Moreover, they would enter the music scene that is way way different compared to what they left behind two years ago. Besides the pressures brought to returning bands, they also have to come to terms about the rise of the indie scene, dubstep, and The Voice, new things that they could take a hit on and even sing about.

All of these boils down to one thing: the way they can surprise everyone means that there will be something in store for all of the lovers and haters of Fall Out Boy. At this point, it really now sank in:

#FOBisback

Tracks: Saving The Scene

The first of two parts on the music of Fall Out Boy and the much-awaited return.


About the year 2005, one of my friends showed me over YouTube a music video about a lonely young boy with deer antlers, saying that it's from a band called Fall Out Boy, about to break out in the music scene with their brand new single, "Sugar We're Going Down." The band, as I thought, was really nothing new to me, as I have remembered watching "Saturday," their second music video (as far as I can remember, "Grand Theft Autumn" was the first one) that was all about card-wielding and set-wrecking as solid punk rock music was playing in the background. However, I have not paid much attention nor raved about it, primarily because there are a lot more served at the plate during that time: My Chemical Romance has just released Three Cheers for Sweet Revenge, Finch is still caught up with the craze of "What it is to Burn" and is about to release their second major album, and New Found Glory still has everyone singing to old songs in their new tunes, with the more "mainstream" bands The Ataris and Dashboard Confessional having just contributed a few songs to the Spider-Man soundtrack. At that time, Fall Out Boy was nothing more than a band that waits for an opportunity to emerge and accommodate a wider audience, and with "Sugar," I've had that feeling that they are going to be big.

And grew big they did. A few months after, "Sugar" rose to the charts, and they immediately had to follow it up with "Dance, Dance." Their third full-length album From Under The Cork Tree rose the charts and Fall Out Boy eventually made some noise not just within the punk-rock kids, but even in the major music channels and websites like Yahoo! Music and MTV.com, beating out . Slowly, the rag-tag punk-rock band that Pete Wentz, Patrick Stump, Joe Trohman, and Andy Hurley gained the fame and glory that many punk-rock fans think they deserved. Simply put, Fall Out Boy became the thing of the scene, singing about teenage romance and maturity problems coupled with hard guitars and occasional Wentz screams.



The band made the most of their success as they succeeded in releasing another music video while promoting their old material, both from Fall Out Boy's Evening With Your Girlfriend (their least mentioned mini-LP) and Take This To Your Grave. With the chain of tours, promotions, and performances, the followers of Fall Out Boy, whose numbers, looked forward to their promised third full length album.

As with all punk rock bands, many were actually hoping that the band would go with the flow and continue making those rough, punk rock songs that has gained the attention of the world. Will it be a better version of Cork Tree, as if it wasn't good enough? Would they return to their Chicago-style indie/garage look but with a touch of that catchy riffs and melodies that made them popular?

Indeed, there were a lot of speculations, but when Infinity on High came out, all of them were ruled out, much to the dismay of the majority. Come year 2007, Fall Out Boy brought out new music that has not been expected of them, starting out Infinity with an "under new management" message, as a few lines from Jay-Z started "Thriller," the first track of the album. They fired shots off the emo scene with their first music video, "This Ain't A Scene, It's An Arms Race," which was somehow read as a lack of gratuity for the scene that made them famous in the first place. From these, the message is clear enough: take it or leave it, Fall Out Boy is going to take things to a different direction. It's not that they are going to pull the plug on the past, but it's just that their creative energies took them to a different level.


Surprisingly, such shift in direction did not even lead to the decline of the band. In fact, they continued to rise with the new music, eventually reaching their highest point. Fall Out Boy eventually became a household name, thanks to endorsements and promotional tours here and there. The band also paved way for the rise of other acts signed under their previous label Fueled by Ramen, as well as Wentz's own Decaydance Records, such as Cobra Starship, the now-disbanded The Academy Is..., The Cab, and Paramore. Wentz later on established Clandestine Industries, his own clothing company, which basically highlights and makes available on the market the band's own fashion preferences. Advertisements, cameo appearances, and TV performances filled their schedules. Sure, punk rock kids bashed and labeled them "Sell Out Kids," but this did not stop the band's rise to fame, even dedicating their third video for Infinity, this time for "The Take Over, The Break's Over" for their fans of the past and present, with a message from Wentz's dog Hemingway telling everyone to give the boys a break, for, like all things, they do change.

The band waited and worked for more or less two years before releasing their fourth studio album Folie A Deux (just in case you missed, it's French for "a madness shared by two"), anticipated by an election-inspired demo album available for download. They pretty much continued from where Infinity ended, but one could notice attempts of going back to their old music in some of their songs,.as well as jabs about the showbiz culture that they have immersed themselves in. In fact, two of the music videos from Folie, the first single "I Don't Care" and "America's Suitehearts," were both subtle comments on the tabloid- and gossip-driven showbiz industry. Besides working on Fall Out Boy's music, Pete Wentz also promoted the song "Tiffany Blews" by publishing a six-series comic book loosely based on the song called Fall Out Toy Works. It seems that with the steady popularity of the band, springing forth from both their supporters and haters, Fall Out Boy still remained to be big, still steady despite all those changes as well as the individual affairs that they have to deal with.



However, despite all of these, the band announced that they were going on an indefinite hiatus in November 2009, just a few months after they have released a compilation album entitled Believers Never Die: Greatest Hits (that includes a new single, "Alpha Dog"), a separation that fans speculated to have been hinted by Stump and Wentz in the symbolism of their last music video for Folie, "What A Catch, Donnie." At that time, such announcement caught fans and supporters by surprise. How can this successful band, who continues to conquer the airwaves decided to just take a break and, in a sense, move on from what they have gone through? But at that time, the final word has been said. Indeed, it was an indefinite hiatus, meaning that the band does not give a definite date when they are set to return, or if they would return at all.


Sunday, December 2, 2012

Tracks: Playlist For Jogging/Running

This morning, after jogging, I thought of making 100 good songs suitable for running. This playlist is a mix of various genres, mostly rock, with a dose of Rap/R&B, power pop, J-Rock, and some old songs. I picked up a significant few from my Rock playlist and got the rest from top selections in jog.fm. Most of these have pretty good intros that are consistent throughout, running at 16-175 bpm.

1.Alien Ant Farm - Smooth Criminal
2.Angels & Airwaves - Everything's Magic
3.Avenged Sevenfold - Almost Easy
4.Avenged Sevenfold - Brompton Cocktail
5.Avenged Sevenfold - Girl I Know
6.B.o.B ft. Rivers Cuomo - Magic
7.The Black Keys - Lonely Boy
8.Blink 182 - All The Small Things
9.Blink 182 - Ghost On The Dance Floor
10.Blink 182 - Up All Night
11.Bloc Party - Helicopter
12.Blur - Song #2
13.Bowling For Soup - 1985
14.Breaking Benjamin - Unknown Soldier
15.Bring Me The Horizon - Suicide Season
16.Coheed & Cambria - Goodnight, Lady
17.Coheed & Cambria - Ten Speed (Of God's Blood And Burial)
18.Coheed & Cambria - A Favor House Atlantic
19.Counting Crows - Mr. Jones
20.The Darkness - I Believe In A Thing Called Love
21.A Day To Remember - I'm Made of Wax, Larry, What Are You Made Of?
22.A Day To Remember - Another Song For The Weekend
23.A Day To Remember - Out Of Time
24.Disturbed - Down With The Sickness
25.Do As Infinity - Meramera
26.The Donnas - Dancing With Myself
27.Ellie Goulding - Starry Eyed
28.Fall Out Boy - Dance, Dance
29.Fall Out Boy - Sophomore Slump or Comeback Of The Year
30.Foo Fighters - Everlong
31.Foo Fighters - Learn To Fly
32.Foo Fighters - 2 Rope
33.Foo Fighters - A Matter Of Time
34.Foxboro Hot Tubs - The Pedestrian
35.Good Charlotte - Dance Floor Anthem
36.Gorillaz - Feel Good, Inc.
37.Incubus - Pardon Me
38.Incubus - Anna Molly
39.Iron Maiden - Run To The Hills
40.Jay-z & Linkin Park - Numb/Encore
41.Jet - Are You Gonna Be My Girl
42.Jimmy Eat World - The Middle
43.Judas Priest - Breaking The Law
44.Judy & Mary - Sobakasu
45.The Juliana Theory - We're At The Top of the World
46.Kanye West - Power
47.L'Arc-En-Ciel - READY STEADY GO
48.La Roux - In For The Kill
49.Led Zeppelin - Kashmir
50.Lenny Kravitz - Fly Away
51.Limp Bizkit - My Generation
52.Limp Bizkit - Rollin' (Air Raid Vehicle)
53.Limp Bizkit - Shotgun
54.Linkin Park - Papercut
55.Linkin Park - A Place For My Head
56.Linkin Park - Faint
57.Maroon Five - One More Night
58.Maroon Five - Harder To Breathe
59.Matchbox Twenty - She's So Mean
60.Matchbox Twenty - How Far We've Come
61.Metallica - Enter Sandman
62.Mew - Apocalypso
63.Michael Jackson - They Don't Care About Us
64.Motion City Soundtrack - This Is For Real
65.My Chemical Romance - Na Na NA
66.My Chemical Romance - I'm Not Okay (I Promise)
67.Neon Trees - Animal
68.Neon Trees - Everybody Talks
69.Of Monsters and Men - Mountain Sound
70.Paramore - Playing God
71.Rage Against The Machine - Guerilla Radio
72.Rage Against The Machine - Killing In The Name Of
73.Red Hot Chili Peppers - Can't Stop
74.Red Jumpsuit Apparatus - Face Down
75.Red Jumpsuit Apparatus - You Better Pray
76.Rev Theory - Hell Yeah
77.Rise Against - Help Is On The Way
78.Rise Against - Prayer Of The Refugee
79.Rob Zombie - Dragula
80.SCANDAL - Shunkan Sentimental
81.The Rocket Summer - Break It Out
82.Shinedown - Heroes
83.Skillet - Monster
84.Skillet - Hero
85.Slipknot - Before I Forget
86.The Strokes - Alone, Together
87.Switchfoot - Redemption
88.Switchfoot - We Are One Tonight
89.Switchfoot - Dark Horses
90.Sum 41 - Underclass Hero
91.System Of A Down - Chop Suey
92.t.A.T.u. - All The Things She Said
93.Tenacious D - Master Exploder
94.The Ting Tings - That's Not My Name
95.Tokio Hotel - Ready Set Go!
96.Veruca Salt - Seether
97.The White Stripes - Seven Nation Army
98.Motorhead - The Game
99.Yeah Yeah Yeahs - Heads Will Roll
100.Yellowcard - Breathing

Arranged alphabetically by artist


Tuesday, December 6, 2011

Tracks: "Torches" (Foster The People)



Before this album, no one knew Mark Foster (especially those who do not want anything hipster become associated with them), being a composer of jingles and later on, according to L.A. Times, an "underling of Dr.Dre." But more than a year ago, the band that he formed (originally named "Foster and the People") released the anti-hipster for hipsters single "Pumped Up Kicks," he became an instant star and a household name among those indie-pop-electronic lovers. They later on released a three-song EP that eventually became this album. And the big question behind this gradual progression from zero to hipster hero is, Is it actually that legendary?

The Foster Falsetto. Setting the music aside for the moment (we'll get to that later), what makes and breaks Foster the People is Mark Foster's high-pitch vocals and his remarkable falsetto that mixes well with the synths, eventually losing distinction between the two. But definitely he is more than the falsetto, for his voice suits well FTP's chimera of chill-out, 90's disco pop, and indie rock. If there's an indie and hipster version of Adam Levine, then Foster is a likely candidate to be named as such.

Variety. As with all other indie bands in the scene today, FTP boasts of a music that is ambiguous. On one hand, the use of the guitars and the piano are so soft and static, while the synthesizer screams party all around, coupled with Foster's voice. This not-so-unlikely mix, which can be compared to that of another indie-pop band MGMT, eventually makes "Torches" light and catchy to the point that one would listen to it before sleeping or partying. In either situation, FTP would work well, anyway.

Songs To Listen To? One can appreciate FTP by starting with the three songs in the EP: "Pumped Up Kicks," the all-too-catchy "Helena Beat," and pop upbeat "Houdini." Afterwards, you can move on to "Colour on the Walls," "Miss You," and "Call It What You Want.". And if you can't dance and relax at the same time, you're not too hipster to listen to it.

Here's the official music video for "Helena Beat."





Credits to Pretty Much Amazing for the image and the FTP VEVO Channel in YouTube for the video.


Friday, November 4, 2011

Tracks: "Neighborhoods"



A quick look at Tom, Mark, and Travis' comeback album. What do you think?
  • Blink being back is good news enough. After a long hiatus, it's really a big relief for the late 90's generation for the legendary pop punk trio to be back in the scene. It was a turbulent period for Blink fans when the band went on hiatus and pursued their own paths (Tom DeLonge for Angels and Airwaves, and Mark Hoppus and Travis Barker with +44, with the latter doing solo drum projects alongside the late DJ AM); however, it was a good opportunity for them to experiment with something beyond pop punk and try to integrate them with those that they already have at hand.
  • ... And they've grown up. I don't understand why critics of Blink 182 were not satisfied simply because it drastically changed. Of course these guys have something to say, but having grown up and integrating their experience during hiatus have made Blink 182 better and more diverse. Of course we love Blink's old classic pop punk songs (some of them even sounding meaningful songs of growing up and facing the bleak reality of life like "Adam's Song" and "Stay Together for the Kids), but the band has to keep up with the times as well as their personal and collective growth.
  • Songs to listen to? "Up All Night" seems to be a mix of the pre-hiatus Blink 182 (who made "Always" and "Feeling This") and Tom's Angels and Airwaves influence, sprinkled with a bit of the "collaborative" Travis Barker. On the other hand, "MH 4.18.2011" has traces of the old Blink. Somewhere in the middle, we can also find "Heart's All Gone," another track that deserves a music video.
Here's the video for the first single of the album, "Up All Night." Symbolic, angsty, and mature, I should say.


Credits to NME for the pic and the blink182VEVO channel in YouTube for the vid.

Sunday, October 23, 2011

Tracks: The Challenge for Tokyo Police Club



Last Summer of 2011, Toronto-based indie band Tokyo Police Club started a project (but more of a challenge) of coming up with a quick album that contains ten covers of ten famous songs in the past ten years. Fast forward to present, they released the album "10 Days, 10 Covers, 10 Years," and it's quite interesting to see what they have come up with. Here is the list of the album's tracks, together with each of the songs' respective originals.

 South Side (feat. Morgan Kibby of M83)
-by Moby and Gwen Stefani (2001)
>

Sweetness (feat. Michael Angelakos of Passion Pit)
-by Jimmy Eat World (2002)


 Under Control
-by The Strokes (2003)


Since U Been Gone
-by Kelly Clarkson (2004)


Little Sister (feat. Orianthi)
-by Queens of the Stone Age (2005)


Long Distance Call (feat. Ray Suen from Mariachi El Bronx)
-by Phoenix (2006)


All My Friends
-by LCD Soundsystem (2007)


Kim & Jessie
-by M83 (2008)


Strictly Game
-by Harlem Shakes (2009)


Party In The USA
-by Miley Cyrus (2010)


Time to get the album, don't you think?


Credits to weallwantsomeone.org for the info, and various users from Youtube for the videos.