Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Saturday, December 8, 2012

Flick Pick: Rurouni Kenshin Live Action Film

or "When There's Really Not Much To Expect At All From A Scarred Swordsman"


When it comes to adapting a famous literary piece or a classic film or TV series, the products of such efforts can only be divided into three: those who are faithful, those who are awful, and, in rare cases, those who create a different movie altogether that merely borrows names, settings, and perhaps some events from the original.

But are in-betweens allowed? Sure, and this live action adaptation of Rurouni Kenshin is, but unfortunately, such way of standing in between "awful" and "different" made the movie more terrible that it should be.

But one should note that as an adaptation of a long series, in fact long enough to generate a number of fans that would certainly have high expectations once any live-action movie of their favorite is out, can be seen in two different perspectives.

One can see the movie as a hardcore fan of the Rurouni Kenshin manga and anime, looking for the different details from start to finish, from the largest to the smallest detail, and seeing if it really is a near-perfect copy of what you have watched for more than a season or two (in this case, the live action movie covered the first 15 or so episodes of the anime. Apparently, this movie failed to do so, transforming Kenshin the man of many words and principles into a non-killing killing machine (yep) with foils coming out of nowhere, without any regard to the history that shaped them. While Kaoru and Megumi would be the closest to the anime version, Sano and Yahiko were empty personalities that seemed to be there for comic reasons, and Saito became nothing more than a police officer that has got all means to be cruel and relentless without that grit found in the anime.

Moreover, the antagonists of the film (which could perhaps been made by drawing lots or putting Kenshin's first villains in a blender) were the major disappointments, actually causing confusion about the storylines and plot elements that were derived from the manga & anime. Fine, it is clear that Kanryu the merchant is the villain of the movie, but in place of Aoshi's awesome gang, we have Jinei/Kurosaga, the former Shinsengumi, who impersonates the Battousai (which, of course, such event happens in the first episode of the series). And with Jinei, there are random henchmen, with one of those looking like Aoshi's gun-toting rip off of some sorts. Much of Saito's issues on Kenshin were reduced to nothing save for a swordfight in the rain, and we didn't really get to see much of what he can do (but wait, isn't Saito supposed to be not there in the first place yet?)

If anything at all, the live action movie's adaptation fails, and if taken as an original story loosely derived from the series, it wouldn't be that good at all. Characters have popped out of nowhere and lacked development, save for everything concerned with the Kanryu arc (in fact, just Megumi and Kanryu). The plot was messy and there were a few scenes that distorted the continuity of everything (the flashbacks didn't help). And in fact, without the association with the movie, everything is just like a bad kung-fu Hong Kong movie (no disrespect meant to martial arts greats Bruce Lee, (the early) Jackie Chan, and the great Chow Yun-Fat) that only featured a scarred samurai with a random adventure.

There are bright points, though, and the most important of all of them is the pure fulfillment of the fantasy of Rurouni Kenshin in live action, something that has become a reality in the most recent films and series that we have not just in the West but also in the East (think Great Teacher Onizuka or Hana Yori Dango). The fight scenes from the War to Kenshin and Kurosaga's confrontation are fantastic, and one can just be amazed by seeing how the Hitern Mitsurugi style works in the flesh (actually, I can go so far to say that what made this film are the very fight scenes themselves and not anything else). A bit of the comedy is preserved, with Munetaka Aoki's character Sanosuke taking much of the load. If there's something that has been kept by this live action movie that had moviegoers screaming for more (I heard that it will have a sequel which will feature all the other story arcs of the anime), those were these two very bright spots in a not-so-fantastic adaptation.

But then, I'd rather have Beat Takeshi's Zatoichi or Akira Kurosawa's Seven Samurai if I want good Samurai movies. I am not saying, however, that I'm eager to see whatever improvement they will have for Rurouni Kenshin 2.

Grade: C-

Saturday, November 26, 2011

Flick Pick: "James Dean"



I agree with most of those who say that the movie is a blown version of real life, much more dramatic than it actually is and backed up with some things questionable but were held as "facts" in the movie. But then, the shining point that this movie has is the performance of James Franco, who not only resembled Dean by appearance but also by performance. And although I do not see it as a must-watch, it's worth spending time on for those who deeply appreciate mid-90's cinema.



Credits to Movie Poster Shop for the poster, and keekyz in YouTube for the trailer.

Wednesday, October 26, 2011

Flick Pick: Departures



A good Japanese film is already great for Western standards, and it's better than the usual if it wins the Oscars for Best Foreign Language Film in 2008.

And what made it a success? It's basically the plot, centered around death and moving on. Masahiro Motoki, one of the well-known drama actors of Japan, plays the role of Daigo Kobayashi, an orchestra player who was forced to move out of Tokyo and find a job. Unfortunately, he ended up as a professional encoffiner which fortunately changed things for him and everyone around him.

But the great big bonus that awaits in "Departures," is its wonderful musical score. And I don't think there are any apt descriptions to it after you have heard it. So there, this video performed by composer Joe Hisaishi and the London Symphony Orchestra:



Credits to Movies Where Movies When Movies Were Movies for the poster, and capitalchina in YouTube for the video.

Wednesday, October 19, 2011

Flick Pick: Zatoichi (2003)



There have been various films that portrayed the legendary blind swordsman created by Kan Shimozawa, but I think that being the most recent, Beat Takeshi (Takeshi Kitano)'s version, suits this generation. In his masterpiece, he plays the role of Zatoichi, who works as a masseur and loves playing dice. Apparently, what really makes up most of his time is to hunt down the abusive samurai and ronin of Yakuza gangs that abuse the inhabitants of a village.

 This movie is significant in such a way that it exposes two things uniquely Japanese. First, it exposes Japanese culture and lifestyle during the Edo Period (violence exaggerated, I think), especially the highlighted customs and practices (the tap dance final scene looks cool, I should say). And second, it serves as a good example of Japanese "blood-splatter" films, which inspired and influenced a lot of films, Japanese and foreign alike (remember Kill Bill?)

 And the third important thing to be pointed out in this movie is Takeshi's genius in filmmaking. Taking the main role while directing it, he was able to revive the series and give it a new, contemporary Japanese taste. A good Samurai plot that presents just enough blood and violence, showered with a few comic scenes was enough for Takeshi to come up with an original and tasty remake. Very unique, indeed. And somebody take note that he was the idea behind the famous game show "Takeshi's Castle."

 

 Yep, he's the guy.

P.S. Hattori, the ronin who was one of Ichi's last opponent, was played by Tadanobu Asano, famous for his superb role in "Ichi The Killer," and plays the Norse God Hogun in the movie "Thor". 

Credits to IMDB for some info, and http://prosubtitrari.com/tag/zatoichi for the pic. Also, absolution171990 in YouTube for the video.